Download Art of RAW Conversion: Optimal Image Quality from Photoshop by Juergen Gulbins, Uwe Steinmueller PDF

By Juergen Gulbins, Uwe Steinmueller

The uncooked dossier layout utilized by electronic cameras is largely the uncooked facts digicam captures while it takes a photograph. uncooked records permit the electronic photographer to edit and control their photographs with much less information loss than in different dossier codecs (such as JPEG). there are lots of uncooked conversion instruments, and it truly is frequently a good suggestion to take advantage of a couple of to get optimum effects. The paintings of uncooked Conversion indicates electronic photographers how one can paintings with the uncooked documents generated via a camera to provide the very best picture caliber in accomplished images. The authors (both specialists in electronic images, dossier processing, printing, and colour administration) describe the conversion instruments used to reinforce uncooked documents and maximize photograph caliber. All suggestions lined are in keeping with sensible adventure and defined with step by step directions, in order that readers might be in a position to follow what they study and create their very own high-quality art-quality photos. Covers Adobe Photoshop CS and different best uncooked converters.

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Extra resources for Art of RAW Conversion: Optimal Image Quality from Photoshop CS2 and Leading RAW Converters

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G. g. a printer) as close as technically possible. It also describes the gamut of the device. 2: Understanding color management Your challenge is to have a monitor present the correct impression of how a certain photo would print on a color printer. The latest inkjet printers can produce amazing results, but without proper color management, color printing remains trial and error. You end up changing the printer’s color settings for every print, with usually less satisfaction. used or on the device that recorded that value.

For dedicated images, you may then still go back to your RAW file, getting the most from it. Exposure, Exposure, Exposure There are really not a lot of differences from traditional photography. A better exposure is the ticket to a good final result. Raw file processing may allow you to get good results from not-so-perfect exposure, but this should not be taken as an excuse for sloppy exposures. A good exposure sounds so easy, but it is not. What you want is: r No blown highlights r No underexposed images r No noisy and dark shadows The good news is that there is an instrument in digital cameras that allows you to evaluate exposure instantly after you take the photo: It is the histogram.

The most heated discussions occur over what constitutes a good skin tone. Even here exist many cultural differences. Begin with a white balance you prefer, optimize the contrast and change colors selectively only if there are major issues. Some shots might need skin tone correction, while in others, the shade of a boring blue sky. Adjust your camera’s sensitivity: selecting the right ISO Today’s digital cameras allow changing the ISO value on the fly by simply dialing in a new value. This is a huge plus for digital as you can change ISO speed on a picture-by-picture basis.

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