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"When i've got a bit cash, i purchase books. And if any is left, i purchase foodstuff and clothing."
--Desiderius Erasmus

Those who percentage Erasmus's love of these curious bundles of paper certain jointly among demanding or delicate covers understand precisely how he felt. those are the folk who can spend hours shopping via a book shop, thoroughly oblivious not just to the passage of time yet to every little thing else round them, the folk for whom purchasing books is a need, no longer a luxurious. A ardour for Books is a party of that love, a suite of sixty vintage and modern essays, tales, lists, poems, quotations, and cartoons at the joys of interpreting, appreciating, and gathering books.

This enriching assortment leads off with science-fiction nice Ray Bradbury's Foreword, within which he recollects his penniless days pecking out Fahrenheit 451 on a rented typewriter, conjuring up a society so afraid of artwork that it burns its books. This struggle--financial and creative--led to his lifelong love of all books, which he hopes will cosset him in his grave, "Shakespeare as a pillow, Pope at one elbow, Yeats on the different, and Shaw to hot my feet. solid corporation for far-travelling."

Booklovers also will locate the following a range of writings by way of a myriad of fellow victims from bibliomania. between those are such modern authors as Philip Roth, John Updike, Umberto Eco, Robertson Davies, Nicholas Basbanes, and Anna Quindlen; past twentieth-century authors Chris-topher Morley, A. Edward Newton, Holbrook Jackson, A.S.W. Rosenbach, William Dana Orcutt, Robert Benchley, and William Targ; and vintage authors corresponding to Michel de Montaigne, Gustave Flaubert, Petrarch, and Anatole France.

Here are also pleasing and funny lists corresponding to the "Ten Best-Selling Books Rejected through Publishers Twenty occasions or More," the nice books incorporated in Clifton Fadiman and John Major's New Lifetime examining Plan, Jonathan Yardley's "Ten Books That formed the yank Character," "Ten Memorable Books That by no means Existed," "Norman Mailer's Ten favourite American Novels," and Anna Quindlen's "Ten large Thick impressive Books that may Take You an entire summer time to learn (but Aren't seashore Books)."

Rounding out the anthology are decisions on bookstores, publication golf equipment, and publication care, plus e-book cartoons, and a especially ready "Bibliobibliography" of books approximately books.

Whether you think about your self a bibliomaniac or simply a person who loves to learn, a keenness for Books will give you a lifetime's worthy of interesting, informative, and enjoyable studying in your favourite subject--the love of books.

A Sampling of the Literary Treasures in a fondness for Books

Umberto Eco's "How to Justify a personal Library," facing the query every person with a large library is necessarily requested: "Have you learn most of these books?"

Anatole Broyard's "Lending Books," during which he notes, "I think approximately lending a e-book the best way such a lot fathers suppose approximately their daughters dwelling with a guy out of wedlock."

Gustave Flaubert's Bibliomania, the vintage story of a e-book collector so passionate about possessing a booklet that he's keen to kill to own it.

A choice from Nicholas Basbanes's a gradual insanity, at the leading edge preparations Samuel Pepys made to assure that his library might live on "intact" after his demise.

Robert Benchley's "Why Does no one acquire Me"--in which he wonders why first variations of books via his pal Ernest Hemingway are invaluable whereas his aren't, deadpanning "I am older than Hemingway and feature written extra books than he has."

George Hamlin Fitch's terribly touching "Comfort present in reliable Old...

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Additional info for A Passion for Books: A Book Lover's Treasury of Stories, Essays, Humor, Lore, and Lists on Collecting , Reading, Borrowing, Lending, Caring for, and Appreciating Books

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El mundo por de dentro" ("The World from Within") is probably the most acrimonious and, at the same time, the most cohesive of all the suenos. Couched in somber, pessimistic tones, this piece exposes the ubiquitous hypocrisy of the world turned inside out. Quevedo demeans himself the prologue when he nothing, do not is want to know as well as his readers in among those who know anything, and believe that nothing confesses he is known. C. I, 164a) At the beginning of the vision we wandering in a state of confusion through the find our author He encounters the Undeceiver, a venerwho has reached this pitiable state in return for the truths he has revealed to mankind.

To Quevedo, who referred to this painter several times in his writings. Executed in brilliant color and with a mastery of detail, Bosch's paintings abound with fantastic plants and animals, monstrous figures, demons, and lewd acts. What confronts us is reminiscent of Quevedo's animated topsy-turvy world. Both Bosch and Quevedo were motivated by a moralizing religious animus in times of spiritual licentiousness. 5 Goya (1746-1828) would have been a fitting illustrator for Quevedo's Visions. The Visions, widely read in Goya's time, was reprinted in 1791, five or six years before Goya began to work on the Caprichos (Caprices).

El alguacil endemoniado" ("The Bedevilled Constable") ridicules the Italian priest Genaro Andreini who was a notorious exorciser in Madrid at the time this vision was written. C. I, 133b) The portrayal of the two characters that give the title to this sueho admirably disclose the hypocrisy prevalent in our author's topsy-turvy world. C. , he is a dissolute libertine in his soul, but gives the impression that he is the purest man of God. The person being exorcised has the appearance of a man but he really is a constable— the alguacil (constable) is one of the types most frequently satirized in Quevedo's works— who, in pursuing his job, cannot be distinguished from a devil.

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